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phim hoat hinh 18 hai huoc

Source global Wall Street Journal     time 2022-06-14 04:05:56
Typefacelarge in Small

phim hoat hinh 18 hai huoc

* * * * * * Did she know, poor Madeleine, that she too had but a few years to live? that the germs of the unrelenting disease which had carried off her friend, her lover, were at work within her? I was with her when she too closed her eyes,—so peacefully, serenely. It was a vision of love that passed away from amongst us. "I am quite happy. You will lay me by his side?" "Yes, Madeleine,—yes." And now that I have said what I wanted to say about those friends of my early days, and followed them to the closing chapters of their lives, I ought perhaps at once to turn over a new leaf and record a fresh impression. But it is hard to dismiss memories which one has evoked. Why should one? Nothing in good old Nature is abrupt; the sun sets and day fades into night; in the rainbow yellow merges into green, and green into blue, and it seems but in keeping with the ways of Nature that there should be something to read between the lines of a slightly sketched life-story, and something to be thought out between heterogeneous chapters. They cannot but be varying if they are to depict the motley crowd of figures that go to make up one's own experiences. Such chapters are like the various pieces on the programme of a musical recital. There we are taken from a fugue to a notturno, from a grande valse to a moonshine sonata; and the pianist, if by some chance he happens to be a musician, leads us with a few improvised chords, from one mood to another, from flats to sharps, major to minor. So then my starting-point is once more Dupont, and before I think of other friends, I find myself speculating as to what he might have achieved, and to what honours he might have attained, had he lived. What would he have thought of to-day, and what would to-day have thought of him? To be sure he would be wearing a bit of red ribbon in his button-hole, as all distinguished Frenchmen do; and who is not distinguished? By this time he would have been an Academician, royal or national, a Membre de l'Institut, perhaps even one of the forty "Immortals," if he had taken to the pen, as we know painters will sometimes do. In the eyes of the rising generation the Immortals mostly take rank with any other old fogeys, and Dupont would have fared no better than his contemporaries at the hands of the Nous avons changé tout cela's of the day. It could not have been otherwise; for, alas! (and I have not sought to disguise it) he had none of their distinctive qualities. He never loved the un-beautiful for its own sake, nor was he a man of the prominent-wart school. In his compositions elevated thought and subtle expression had a fatal tendency to eclipse the non-essentials; his luminary rays were painted without regard for the laws of decomposition, and his atmospheric vibrations, if he attempted them at all, were not worth speaking of. Besides, the least practised art-student of to-day would not fail to notice that his careful drawing of hands, or the graceful lines of his draperies, would monopolise attention, to the detriment of the backgrounds, which had a way of receding, so that the main interest of the picture could never be said to concentrate upon them. The enchantress, Art, is ever making new victims. Just now she is wedded to the new master, the variety painter, and is on her wedding-trip, fully equipped with new fashions of tone and colour, rich too in new values; and she travels along happily unconscious—some ignorance is bliss—over the treacherous roads designed by the "new" perspective, past tottering towers, over warped planes, and down steep inclines, pluckily standing her ground where those fallen angels, the old masters, would have feared to tread. It's the old suit once more before us; young folks versus old fogeys, the traditional battle-royal, to be fought to-day, as it will be fought to the end of all time. I say, Hurrah for the young ones! Perhaps they are leading us a step or two backwards, but I verily believe it is only to reculer pour mieux sauter, to back, we should say, the better to jump. So let us keep the line clear for youth and strength; we can't do without their vigorous onslaughts. Where would the old tree of art be, if it were not for the new shoots? CHAPTER VI A TRIP TO AMERICA IN 1883 I well remember a chance remark of mine which led to my crossing the ocean. "Well, if I can get a cabin in your boat, we'll go too, but I'm afraid it's too late now, at the eleventh hour." That was said to Irving and Ellen Terry, who were preparing to leave on their first visit to the States in 1883. I had never given a trip to America a serious thought; a consultation at Cook's office and subsequent trunk-packing usually meant a flight to the sunny South or the glorious East; but a new country, and a civilised one into the bargain, had failed to attract me. I had heard over and over again that the Americans were a practical people, and that, to be sure, meant inartistic, and I knew they could talk, build, and make money-piles bigger than we can, and that again did not predispose me in their favour. In fact I may say, without boasting, that I cherished about as many prejudices as does the average Englishman when he seeks to form his opinion regarding those unhappily not included in the magic circle to which he belongs, and I felt that, if ever I visited my young American cousins, it would be to give them the benefit of my superior old-world experience. I may say at once that I had not been in the country long, before I found it desirable to climb down, discovering that it was quite as much as I could do to keep my footing at all on one or the other of the scaling ladders I had tried to ascend. But for all my ups and downs, one thing is certain: it was a happy thought that led me to take my passage to New York, and a specially happy one to cross with Irving and Ellen Terry. "I count myself in nothing else so happy As in a soul remembering my good friends." —Richard II. So wrote Irving in my album, dating the lines from the "Atlantic Ocean, 20th October 1883." It was indeed a time of good and friendly relations we had on that Atlantic, meeting at a sort of poet's corner of the captain's table at dinner-time, and later again, when we could discuss the merits of the nocturnal Welsh rarebit, or of the comforting nightcap. Those expressive legs of his, with which we are all so familiar, were a constant source of delight to me. In the smoking saloon he would know how to stretch them till they gave you a sense of absolute rest; and when he got up, you felt they must originally have been designed for sea-legs. When sometimes I paced the deck by their side, I felt I could now really boast of being in the same boat with my illustrious friend, and of more than that: for once in a way, I was actually treading the same boards with him. I think he thoroughly enjoyed what was to him an unknown experience, a ten days' rest; but I doubt whether he took it as a holiday; he had books and papers to keep him company that looked suspiciously like business, and when he reclined full length on his steamer-chair, contemplating the rolling sea through his eye-glasses, he looked as if he were meditating a revival of "The Tempest," and consulting with Neptune and ?olus as to the best way of producing it. As for Ellen Terry, she was facile princeps on our floating city, fascinating everybody, from captain and crew, via first and second class passengers, down to the emigrant's crowing baby. There had been a grand gathering to see her and Irving off. Friends had come, laden with parting gifts; golden-haired children were there, bringing baskets full of flowers that should intertwine themselves with their dear Ellen's existence, till others could be gathered to greet her on her arrival. When the bell sounded, recalling the visitors to the tender that had brought them, the process of leave-taking went through its acutest stage; there were the cordial grips and moist eyes, the crisp, resonant kisses, and the long, silent embraces. "Good-bye; take care of him, take care of her, till I come back! Good-bye, again!" Ay! some of us had taken return tickets, some had not. Which of us would return? We got sorted at last; all the good clothes on our side; the new suits, ulsters, and dresses to be bodily introduced into the country that produces the like only at ruinous prices. We all looked brand new, as if we were equipped for our respective honeymoons. Soon we were passing the last outstretched arm of land, that seemed to bid us one more farewell; but the greeting only came from Cinderella, the Emerald Isle, and we, I suppose being an English vessel, refused to hug the coast, and made for the open sea, whence for some time we could see her knowingly wink her revolving Cyclopean eye at us. The moon had risen majestically; it could not do otherwise with those Lyceists on board. We had achieved something like order in our cabins, and were reappearing above to have a look at one another. Ellen was leaning over the bulwarks with one of those flowers in her hand, which by any other name would smell as sweet. She was still gazing shorewards, as if she would keep on saying Good-bye until to-morrow; a living picture, long lines of beauty flowing from her shoulders to her feet, such as natural grace will evolve even from the slender material of a travelling dress.


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